Palefroi
The thing that I like most about Palefroi’s work is the exciting use of colour because it is always playful and experimental. I’m inspired by them due to my appreciation for colour and texture that I always try to bring into my design as much as possible. Seeing them successfully marry fine art and graphic design encourages me to stick to my favourite processes and ideas.
“Tran and Jdanoff constantly go back and forth between their individual and their collective work. Their language as a duo is at the crossroads of their respective worlds. One is formal and abstract, the other narrative and figurative.”
Kate Gibb
Kate Gibb
I particularly love Kate Gibb’s recent designs that she made in collaboration with clothing brand Hermés. The colours stand out to me most: warm and vibrant, they represent the confidence in colours I am trying to achieve within my own work.
Her practice is driven by colour and process, and her prints – predominantly created as unique artworks – are often defined by moments of serendipity.
Mike Mcquade
Mike McQuade’s collages are always a brilliant collection of vintage-style found imagery and modern photography which he manages to bring together in a contemporary way. I find the way that he uses collage professionally by editing digitally inspiring because he’s bringing an ‘old’ and not always appreciated process to his huge clients like The New York Times and Apple.
Mike Mcquade
Mike McQuade’s collages are always a brilliant collection of vintage-style found imagery and modern photography which he manages to bring together in a contemporary way. I find the way that he uses collage professionally by editing digitally inspiring because he’s bringing an ‘old’ and not always appreciated process to his huge clients like The New York Times and Apple.
“Every time I get an email with a new piece of writing attached, I get excited because it’s almost as if I’m starting from scratch—my style is constantly evolving, and my thinking is always getting a little deeper”
Maple Fortress (Derek Wycoff)
I first saw Derek Wycoff’s work when I saw his album cover for his band Naked Gods. Some people might say that the design is too abstract and doesn’t make sense, which is true, but I loved the combination of different textures and the colour palette. It made me realise that a piece of design doesn't have to make sense for you to be able to appreciate it.
Maple Fortress (Derek Wycoff)
I first saw Derek Wycoff’s work when I saw his album cover for his band Naked Gods. Some people might say that the design is too abstract and doesn’t make sense, which is true, but I loved the combination of different textures and the colour palette. It made me realise that a piece of design doesn't have to make sense for you to be able to appreciate it.
“I always like to incorporate a little bit of psychedelia and I have the tendency to keep chopping things to bits till they are no longer recognisable” Derek explains.”
- Emily Gosling, It's Nice That
Spin Studio
I had never heard of Spin until I saw their book Spin 360, which is an inspiring visual feast that shines a light on visual communication of the 21st century at its peak. The book was my first proper insight into what good contemporary design is and made me rethink my approach to layout and design theories.
Spin Studio
I had never heard of Spin until I saw their book Spin 360, which is an inspiring visual feast that shines a light on visual communication of the 21st century at its peak. The book was my first proper insight into what good contemporary design is and made me rethink my approach to layout and design theories.
“Graphic design is our passion. We are obsessed by the challenges of a discipline that exists in a state of constant flux. At its best it is thought provoking, memorable and leaves a lasting impression.”
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